Field | 場
Year: 2022-2023
Dimensions: 高63~103cm，數量依場地而定
Height 63~103cm, The number of works depends on the space
Medium: 不銹鋼、黃銅、電子設備、合成紙
Stainless steel, brass, electronic equipment, synthetic paper
觀看氣象的風向圖，常可見到地圖上密集排列的箭頭，所指引著該地區當日推斷的風向，形成一種視覺化的統計。似乎找尋到了一種圖騰，一種可被觀察統計的慣性，或說是一種自然力量的規矩。深受這在圖學上密密麻麻的小箭頭吸引，於是展現在《場》的作品思考。當藉由風作為驅動作品的力量，感受到的是許多不可用常理判斷的不確定性，而風從何處來，它又將成為何種型態，於是設計一個感受風場的機械裝置，透過豎立起百來支立桿，架上扇葉旗桿，並牽連著一同隨風轉向的鐘錘，敲起風的鈴聲。
Meteorological wind-rose diagrams are often composed of tightly lined pointers that indicate the predicted direction of winds at a location on a particular day, and on this kind of graphical chart, some sort of pattern is observed; there is a statistical routine, or a law of nature, that is noted. This artwork, Field, is inspired by my fascination for the tightly arranged pointers on those diagrams.
This wind-powered artwork presents a medley of unpredictability that can’t be assessed with common logic. Where does the wind come from? What kind of form will it take? A mechanical installation that senses the wind is designed, and it has over a hundred poles erected and attached with blades and then connected to pendulums that rotate along with the passing wind, which then results in ringing chimes of the wind.
